Music Business Courses
Audio Engineering Technology Courses
Entertainment Industry Studies Courses
Music Business Courses (MBU)
On June 1, 2005, specific audio technology related courses changed from the MBU prefix to AET.
MBU 1110. Survey of Music Business (3). This course is a general overview and a study of the major functional areas of the music business. Attention is given to the theoretical foundations and practical application of current business practices in the music industry including supporting organizations and the revenue flow from music consumer to creator.
MBU 3990-4990. Special Studies (1-3).
MBU 2000. Music Business Internship Lab (0). Prerequisite: Sophomore standing. This career development course addresses internship expectations, job strategies, and interviewing skills.
MBU 2130. History of the Recording Business (3). A study of the foundations of the recorded music business, which includes the development of recording labels, technology-driven changes, and recordings from 1877 to the present. Also discussed is the formation of the major recording labels and the development of the marketing structure whereby recorded music is exposed and sold to consumers.
MBU 2520. Intellectual Property (3). Prerequisite: MBU 1110 or EIS 1220. This course provides an in-depth study of intellectual property, the rationale for intellectual property protection, current issues involving intellectual property, international intellectual property issues, and the role of intellectual property in the entertainment industry. The types of intellectual property covered include copyrights, trademarks, trade secrets, and patents. Primary emphasis will be on copyright, the area of intellectual property most relevant to the entertainment industry.
MBU 3000. Music Business Internship (1-6). Prerequisites: MBU 2000, MBU 3450, junior standing, a minimum of 2.8 Belmont cumulative G.P.A. This formal career education assignment enables students to intern at entertainment business organizations for a selected period of time. (May be repeated up to a maximum of 6 credit hours.)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
MBU 3330. International Music Business (3). Prerequisite: MBU 1110 or permission of instructor. An exploration of issues confronting entertainment and Music Business firms in a competitive global environment. Particular emphasis includes the manufacturing, marketing, management or financing of entertainment and promotion of the music and entertainment industries which are additional areas of study.
Gen. Ed. Designation: GS (G – Global Studies).
MBU 3360. Entertainment Career Development (3). Prerequisite: MBU 1110. A study of personal entertainment career development and management including educational, promotional, and financial concerns of the professional entertainer. Various unions, guilds, and associations are studied from the entertainer's viewpoint.
MBU 3450. Music Publishing (3). Prerequisite: MBU 2520. A study of music publishing. The course deals with contracts, foreign publishing, catalog development, setting up a publishing company, demo sessions and licensing.
MBU 3620. Marketing of Recorded Music (3). Prerequisites: MBU 1110, MKT 3210 or permission of instructor. A study of the theories and techniques used in the marketing of recorded music by major and independent labels and artists to consumers. Topics include market structure and analysis, distribution methods, promotional strategies, charts, airplay, pricing, research and legal issues specific to entertainment marketing.
Gen. Ed. Designation: EL (C – Community Based Research).
MBU 3630. Record Company Operations (3). Prerequisites: MBU 3450, MBU 3520. This course organizes the areas of operations of a record company. Emphasis is placed on areas such as A & R, creative services, promotion, royalty distribution, in-house production, marketing, publicity and other areas in relationship to the independent vs. major label.
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
MBU 3720. Public Relations in the Music Industry (3). Prerequisite: MBU 1110. This course deals with press releases, press kits, press parties, artist kits, news for radio and T.V., and other areas which relate to the printed page as public relations support for the artist, company and product.
MBU 3730. Electronic Media in the Music Industry (3). Prerequisite: MBU 1110. This course deals with the integration of electronic media in the music industry. Attention is given to the music video process including scripting, casting, direction, production, budgeting, and promotion. The importance of artistic career development and promotion via television and radio are examined with a focus on preparation and placement.
MBU 3950. Studies Abroad (3-18). Study in a foreign country. Individual course titles and locations are assigned for each course taken. See Studies Abroad program for details.
MBU 4000. Music Business Seminar (0).Required each semester of all full-time or part-time Music Business (CEMB) students. Co-requisite for students enrolled in MBU 3000, Music Business Internship. Seminars are discussion based session with high-profile guest speakers currently active in music and entertainment industries. Session content will vary depending upon guest(s) expertise but generally will engage practical, philosophical, and current issues in music and entertainment industries. Attendance requirements follow university policies and are stated in the course syllabus. Pass/Fail. ($40.00 course fee)
MBU 4015. Senior Capstone (1). Prerequisites: Senior standing and approval of academic advisor. To be taken the final semester in residence before graduation. XXX 3015 Junior Cornerstone and ENG 3010. This course is designed to be a culminating experience in the major, and also addresses the goals for the Senior Capstone as defined in the BELL Core curriculum, including reflection on the student's academic experience and on their transition from the university setting to professional life. This course comprises an in-depth integration and application of the student's personal experiences, opportunities, and ambitions as related to their anticipated career and life objectives within the global entertainment industry. Through the use of analysis and discussion of texts, case studies, guest speakers, field trips, written assignments, and personal journal reflections, this course examines the student's goals within the introspection of the Belmont Experience. A final project incorporates the discussion of short- and long-term goals and a plan for the realization of these goals through three- and five-year timelines that are reflective of personal and professional ambitions. Throughout the course, students are encouraged to integrate the spiritual and ethical aspects of their goals as well as their transition from the university towards lifetime learning and professional growth. Course credit is Pass/Fail only.
MBU 4610. Christianity in the Entertainment Industry (3). This course examines the role and influence of Christianity in the entertainment and music business. Specifically, the course will investigate the Christian impact on morality in entertainment. Topics focus on music, movies, and television in relation to "The Great Commission" and whether or not Christians are engaging the important issues of the day. Students will be asked to discover and understand the Christian culture's primary shapers, their history, and issues.
MBU 4630. Legal Issues in the Entertainment Industry (3). Prerequisites: MBU 1110, MBU 3520. This course provides a comprehensive overview and analysis of advanced legal issues in the music and entertainment industries. Some of the topics covered includethe role of entertainment attorneys, recording contracts, producer and production company contracts, contracts with minors, movie & television industry structure and contracts, right of publicity, merchandising and endorsement agreements, right of privacy, freedom of speech, defamation, indecency, obscenity, and payola.
MBU 4800. Entrepreneurship in the Music Industry (3). Prerequisite: MBU 1110. Entertainment entrepreneurship is based on the process of identifying opportunities in the entertainment marketplace, exploring potential resources to pursue those opportunities, and committing to action the resources necessary to exploit the opportunities for long-term gain.
MBU 4820. Artist Management (3). Prerequisites: MBU 3450, MBU 3520, MGT 3110, or permission of instructor. An analysis of the various aspects of artist management including talent agencies, personal management, performance and recording contracts, tours, and artist promotion.
MBU 4830. Concert Promotion and Booking (3). Prerequisites: MBU 3520 or permission of instructor. A study of the role of the concert promoter and the organization of concert promoting, including contracts, riders, venues, audience projections/demographics, and finance (budgets, corporate sponsorships, gate receipts, etc.).
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
MBU 4950. Music Business Exit Examination (0). (Pass/Fail) A requirement for all Music Business graduates during the last semester of work prior to graduation. The examination will cover four core areas: general Music Business knowledge, music publishing, intellectual property, and recording studio principles. Additional questions in the student's chosen emphasis area (Business and Production) are included. A grade of 70 or higher is required for graduation.
Back to TopAudio Engineering Technology Courses (AET)
AET 1380. Survey of Recording Technology (3). A study of the major areas of recording technology as related to the music industry. The student receives an overall view of analog and digital technology with attention to its innovations, history, and effect on the music industry.
AET 2000. Audio Engineering Internship Lab (0). Prerequisites: sophomore standing. This career development course addresses internship expectations, job strategies, and interviewing skills.
AET 2050. Basic Training: Use of the DAW (1). Prerequisite: AET 1380. An introduction to the study of digital audio through the use of Digital Audio Workstation. Study will include foundational concepts in digital theory, computer operating systems, file formats, file management and basic audio processing using both the Mac and PC platform.
AET 2090. Audio Engineering I. (3). Prerequisites: AET 1380 and permission of instructor. A detailed study of the technical characteristics and performance of each component of the recording studio. Topics include basic studio electronics and signal flow, dynamic processing, basic microphone design, studio acoustics, basic session procedures, and the role of the assistant engineer. Emphasis is placed on developing logistical as well as audio perception skills for recording engineers. Lab hours required. ($30.00 course fee)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
AET 2370. Studio Production I (3). Prerequisite: AET 1380. This course is an introductory study of the role of the producer and the use of music production techniques required to create a successful song demo. Lab hours required.
AET 2560. Sound Reinforcement (3). Prerequisites: AET 1380 and permission of instructor. A study of equipment, systems concepts, design, and acoustical problems involved in concert and live performance sound reinforcement. ($30.00 course fee)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
AET 3000. Audio Engineering Internship (1-6). Prerequisites: AET 2000, AET 3190, junior standing, a minimum of 2.8 Belmont cumulative G.P.A.This formal career education assignment enables students to intern at entertainment business organizations for a selected period of time. An internship may be repeated up to six hours.
AET 3050. Critical Listening for Audio Production (1). Prerequisite: AET 1380. The study and practice of ear training as it relates to the identification, manipulation, and perception of sound. This course provides a concentrated in-depth study utilizing exercises designed to develop specific listening skills in audio production.
AET 3190. Audio Engineering II (3). Prerequisite: AET 3090 and permission of instructor. A continuation of AET 3090, this course is an advanced study of the technical characteristics and performance of each component of the recording studio. Topics include advanced studio electronics and signal flow, computer-based digital recording and editing, automated console operations, condenser microphones, spatial signal processing, and the role of the audio engineer. The development of audio perception skills for recording engineers is emphasized. Lab hours required. ($30.00 course fee)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
AET 3260. Studio Maintenance and Electronics (3). Prerequisites: AET 3090, permission of instructor, and Corequisite of PHY 2250. An analysis of preventive maintenance, troubleshooting, and repair of recording studio components including an introduction to basic electronic circuitry as related to the recording studio. (Lab hours required)
AET 3270. Studio Maintenance and Electronics II (3). Prerequisite: AET 3260. An analysis of advanced troubleshooting, repair, and modification of recording studio components and other areas of electronic circuitry as related to the recording studio. A continuation of AET 3260. (Lab hours required)
AET 3370. Studio Production II (3). Prerequisite: AET 2370 and AET 3090. This course is an advanced study of the role of the producer and the use of music production techniques required to create a master recording. Lab hours required.
AET 3420. Audio Temporal Processing (1). Prerequisites: AET 3090 or AET 3560. A study of the application of audio effects and processes based on the manipulation of time-delay parameters and spatial properties of an audio signal including (but not limited to) reverberation, echo, chorusing, flanging, phase-shifting, and pitch shifting. This course provides a concentrated in-depth study of specialized key processes involved in audio production.
AET 3430. Audio Spectral Processing (1). Prerequisites: AET 3090 or AET 3560. The study of the spectral aspects of sound using equalization and filtering to process audio signals. This course provides a concentrated in-depth study and practice of specialized key processes involved in audio production.
AET 3440. Audio Dynamics Processing (1). Prerequisites: AET 3090 or AET 3560. The study of the dynamic-related properties of sound processing. The use of compressors, limiters, and expanders to process and control audio signals. This course provides a concentrated in-depth study and practice of specialized key processes involved in audio production.
AET 3990-4990. Special Studies (1-3).
AET 4015. AET Senior Practicum Capstone Part (3). Prerequisite: Senior Standing. This senior "capstone experience" will contain an in-depth application of audio engineering knowledge and experience including an investigation of the student's personal experiences, opportunities, ambitions, and anticipated career and life objectives in light of the "world" or "global" influence of the audio engineering industry. The course comprises a review, research, and preparation towards the development and completion of an applied project. The instructor will guide the student to develop a unique and novel application as applied to his/her interests and the practice of audio engineering. The Senior Practicum may be taken during the final two semesters, Fall or Spring, before graduation. Pass/Fail only.
AET 4110. Automated Mixing Techniques (1). Prerequisite: AET 3190. A study of computer-automated mixing techniques. This course provides a concentrated in-depth study and practice of specialized key processes involved in audio production.
AET 4120. Audio Mastering (1). Prerequisite: AET 3190. The study and practice of audio processing related to the replication and distribution of audio-based product(s) such as audio / video disk manufacturing and digital file transfers. This course provides concentrated in-depth study and practice designed to develop skills utilized in the final stage of audio preparation before mass distribution.
AET 4190. Recording Techniques (3). Prerequisites: AET 3090, AET 3190, and permission of instructor. An intensive study of microphone design and techniques used for recording acoustic instruments. Hands-on experience is provided in several methods of recording different instruments and vocalists to produce a variety of musical and non-musical results. Course of study includes a research project in microphone technology and applications. Lab hours required. ($30.00 course fee)
AET 4230 Auditory Perception, and Hearing Science. (3). This course is a study of auditory perception, psychoacoustics, and hearing science as it relates to audio engineering, sound recording, and music production.
AET 4380. The Recording Engineer (3). Prerequisites: AET 3090, and three hours from AET 3190, AET 3370, AET 4400, or AET 3560, and permission of instructor. A study of the many roles of the modern recording engineer. Topics include studio ownership and management, clients, unions, current tax laws, and the impact of electronic and acoustic innovations and patents. Research project and lab hours required.
AET 4400. Post Production Techniques (3). Prerequisites: AET 3090, AET 3190, and permission of instructor. Application of audio/studio technology in the production of video sound design, CD mastering, and post-mix / re-mix sweetening techniques used in music production. ($30.00 course fee)
AET 4480. Master Mixing Techniques (3). Prerequisites: AET 3090, and three hours from AET 3190, AET 3370, AET 4400, or AET 3560, and permission of instructor. This course explores the practical application of master mixing techniques used in modern production ($30.00 course fee). This course will substitute for AET 4190 or AET 4380.
AET 4560. Advanced Sound Reinforcement Techniques (3). Prerequisite: AET 3560. A practicum based study of concert sound reinforcement. Students will have hands-on experience with various sound reinforcement systems, live mixing, monitor equalization, and areas related to management of a live sound system in a professional concert situation. ($30.00 course fee)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).
AET 4580. Live Recording Techniques (3). Prerequisite: AET 3190 and permission of instructor. A practicum based study of live-concert recording techniques utilizing a remote recording truck. The course will also provide the follow-up experience of mixing and mastering the live-recorded project. ($30.00 course fee)
AET 4590. Tour Production (3). Prerequisites: AET 3560, AET 4560. A practicum based study of tour-support personnel and their responsibilities including pre-production planning, technical coordination, transportation logistics, and the associated contracts and organizational paperwork. Special emphasis is placed on the role of the "Production" and "Tour" manager. Lab hours required.
Back to TopEntertainment Industry Studies Courses (EIS)
EIS 1220. The Entertainment Industry (3). Students participate in an overview of the major areas of the entertainment industries. This course serves as an introduction to the structure and internal organization of the entertainment industries. Attention is given to practical application based on theoretical and historical foundations.
EIS 2000. Entertainment Industry Internship Lab (0). Prerequisite: sophomore standing. This career development course addresses internship expectations, job strategies, and interviewing skills.
EIS 2310. Entertainment Industry Economics (3). Prerequisite: EIS 1220.An introductory analysis of the market economy, focusing upon the principles, processes, and institutions that influence general economic behavior tied to case studies and examples of economic principles found in the intertainment industry (defined as theater, film, computer generated productions, music, live performances, the internet, the print industry, and mass media).
EIS 2350. Creative Entertainment Technologies (3). Students participate in an investigation of the major areas of consumer and professional entertainment-related technologies and their applications. This course of study serves as an introduction to the uses and influences of technology with attention to innovations, history, and technology's effects on the global entertainment industries.
EIS 3000. Entertainment Industry Internship (1-6). Prerequisites: EIS 2000, EIS 1220, EIS 2350, junior standing, a minimum of 2.8 Belmont cumulative GPA.This is a formal intern education assignment in which the qualifying student participates as an intern for a selected period of time. May be repeated up to a maximum of six hours.
EIS 3840. Entertainment Distribution and Promotion (3). Prerequisites: MBU 1110 or EIS 1220 or permission of instructor. This course is an in-depth study of the channels of distribution and methods of promotion of entertainment products including movies, television, recorded music, video games, software and books.
EIS 3950-4950. Studies Abroad (3-18). Study in a foreign country. Individual course titles and locations are assigned for each course taken. See Studies Abroad program for details.
EIS 3990-4990. Special Studies in Entertainment Industry (1-3).
EIS 4000. Entertainment Seminar (0). (Cross-listed with MBU 4000). Required each semester of all full- or part-time CEMB students. Co-requisite for students enrolled in EIS 3000, Entertainment Industry Internship. Seminars are discussion-based sessions with high-profile guest speakers currently active in the music and entertainment industries. Session content will vary depending upon guest(s) expertise but generally will engage practical, philosophical, and current issues in the music and entertainment industries. Attendance requirements follow university policy and are stated in the course syllabus. Pass/Fail. ($40.00 course fee)
EIS 4015. EIS Senior Capstone (3). Prerequisite: Senior standing and approval of academic advisor. To be taken in the final semester of residence before graduation. This course is designed to be a culminating experience in the major, and also addresses the goals for the Senior Capstone as defined in the BELL Core curriculum, including reflection on the student's academic experience and on their transition from the university setting to professional life. This course comprises an in-depth integration and application of the student's personal experiences, opportunities, and ambitions as related to their anticipated career and life objectives within the global entertainment industry. Through the use of the analysis and discussion of texts, case studies, guest speakers, field trips, written assignments, and personal journal reflections, this course examines the student's goals within the introspection of the Belmont Experience. A final project incorporates the discussion of short- and long-term goals and a plan for the realization of these goals through three- and five-year timelines that are reflective of personal and professional ambitions.Throughout the course, students are encouraged to integrate the spiritual and ethical aspects of their goals as well as their transition from the university towards lifetime learning and professional growth.
EIS 4360. Entertainment Law & Licensing (3). Prerequisite: MBU 3520. This course provides an analysis of legal issues that frequently arise in the entertainment industry (e.g., the role of entertainment attorneys, contractual interpretations, right of publicity, freedom of speech, defamation, and obscenity). Additionally, the course is focused on licensing practices for various types of content in the entertainment industries such as textual, musical, audiovisual, and graphic works. Specific topics may include, but are not limited to, licensing intellectual property rights, licensing for film and television, computer games and the online environment, merchandise licensing, and international licensing considerations and practices.
EIS 4400. Consumer Research in the Entertainment Industry (3). Prerequisites: MBU 1110 or EIS 1110, MTH 1150 or permission of the instructor. A study of how consumer research is conducted and used in the entertainment industry emphasizing design, execution and reporting of syndicated data used by radio, television, record labels and movie studios. Additional topics covered include survey and focus group research, questionnaire design, and report writing.
EIS 4610. Christianity in the Entertainment Industry (3). Prerequisites: MBU 1110 or EIS 1220. This course examines the role and influence of Christianity in the entertainment and music business. Specifically, the course will investigate the Christian aspect on morality in entertainment. Topics focus on music, movies, and television in relation to "The Great Commission" and whether or not Christians are engaging in the important issues of the day. Students will be asked to discover and understand the Christian culture's primary shapers, their history, and issues.
EIS 4950. EIS Exit Examination (3). (Pass/Fail).This is a testing/knowledge base demonstration requirement for all EIS students. The examination will cover the major areas of the Entertainment Industry's organization and structure including publishing, intellectual property, and technology principles and must be taken during the last semester prior to graduation. A grade of 70 or higher is required for passing credit.
